Irena
Dubrova’s Key to the Zoo’s Panther Cage (inspired by Jacques Tourneur’s
1942 film, Cat People) – Vintage
1920s art deco glass lithographed picture frame; vintage lion “Master Lock”
security key; black and white print of art deco panther illustration by Major
Felten; black and white prints of cage bars, distressed tile work, cement with
claw marks
God
made the cat in order that man might have the pleasure of caressing the lion. —Fernand
Mery
Man
is an animal, as much as he might try and deny it.
Darwinian
theory aside, man has the same needs, the same wants, the same desires as all
our mammalian brethren—food, warmth, safety, sleep, and sex.
And
think of the zoological similes which abound!
Stubborn
as a mule.
Blind
as a bat.
Busy
as a bee.
Sly
as a fox.
Poor
as a church mouse.
Strong
as an ox.
Sick
as a dog.
Dead
as a dodo.
Happy
as a pig in…well, you get the idea.
And
as we head into spring, that proverbial mating season, rutting males of the
human genus are classified as wolves, young studs, or horny old goats (randy
men used to be compared to hares in March, because those wild rabbits went
crazy during those thirty-one consecutive days in their attempts to propagate
their species—thus the term “Mad as a March Hare” and that’s why the March
Hare’s bonkers in Alice’s Adventures in
Wonderland, but I digress).
And
women—don’t think you’re getting off scott-free—you’re minks and minxes and currently
if you’re on the prowl for younger meat, you’re cougars.
This
seems an apt way to begin our amatorial tale for this Valentine’s Day.
Meet
Irena Dubrova, a Serbian-born stunner—sleek dark hair, almond-shaped eyes,
slinky shape, a true catch in any man’s book. But now I’ll let the cat out of
the bag…
Irena
has—shall we say, a slight problem when it comes to the subject of love. It appears
that when Cupid’s little arrows strike her, and her hormones are raging, she
has the nasty habit of transforming into a black panther, one that has the
capabilities and compunctions to devour her mate.
Oops,
fellas, better cancel that dinner date!
Poor
Irena. She does her best not to let her heart rule her head—that’s until she
meets Oliver, and she falls head over tail for him.
But
Irena has a rival for Oliver’s affections; Alice, a beautiful, smart and savvy
co-worker of his, and before you can say Fancy Feast, the green-eyed monster of
jealousy rears its ugly head and softly-treading, padded paws are following
Alice to the YWCA swimming pool—and you know how much cats like water. Picture
it: Alice, alone, doggy-paddling in the pool, the lights go out, a low growl is
heard, and—what’s that?—a long, skulking shadow flickers across the tiles,
here, then there and…
Alice
screams.
The
shadow darts away, vanishes.
Alice
leaps from the water, the lights snap on, and she comes face-to-face
with—Irena, who claims she’s looking for Oliver. Alice’s left believing she’s
just imagined the whole thing, until she finds her bathrobe mauled and
shredded.
Things
just go from bad to worse—Oliver proposes; Irena accepts in spite of knowing
what awaits. The marriage goes unconsummated—and mercifully, Oliver goes
unconsumed—but Irena’s spending far too much time pussyfooting around the zoo’s
panther cage than what could be deemed healthy. Her pet kitten hates her and
the entire cute and cuddly inventory of a local pet shop freaks out—howling and
hissing—the minute she walks through the door, the sweet little old lady of a
proprietor intoning wisely, fatefully, portentously that animals always have an
instinct about people, and then a creepy, catlike woman in black satin materializes
at the happy couple’s wedding reception, asking in Serbian whether or not Irena
is moya sestra, “my sister”. Sheep are soon found slaughtered, the
bloody paw prints left behind by the predator incrementally changing into the
imprints of a woman’s shoes. Anybody see a pattern here, or
is it just me? Finally, professional help is called in—a psychoanalyst, Dr.
Judd, who’s certain that he can cure Irena of her felinic delusions.
But,
as they say, sometimes the cure’s more dangerous than the disease—and Dr.
Judd’s soon reduced to mincemeat. Mortally wounded in the attack on her shrink,
Irena flees back to the zoo, where she releases the caged panther, and where
her body is later discovered by Alice and Oliver…
So,
in the end, Irena Dubrova sadly learned the hard way that sometimes…
…love
bites.



1 comment:
Love it!! One of my favorite films!
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